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Exposed: Basics are basics no matter the audience

Apr 3rd

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While reviewing my notes for an upcoming workshop I’m leading on teaching children beginning digital photography, it occurred to me these basics can easily be passed on from parent to child. Share your love of photography with these simple instructions for using a digital camera and capturing better images.

The most important lesson is care of the camera. Even if using an inexpensive one, good habits should start now. Show them how to remove and return it to the protective case, where it should always be stored when not in use. Pass it back and forth, keeping fingers off the lens and off the various buttons. Discuss the importance of keeping it clean and dry. Demonstrate how to hold it securely, with both hands on the camera, and explain the serious damage done if it’s dropped. Beyond this, emphasize that anything else you say is merely a suggestion. Resist the urge to coach too much.

Encourage them to play and have fun. Pixels are free. Let them take lots of shots. Not every image needs to be printed so experimentation is cheap. One of the reasons I love working with kids is seeing their creative, uninhibited viewpoints.

A helpful tip is explaining focal lock. Show them how to depress the shutter half way to allow the camera to focus before fully squeezing it down. Sometimes, images are still blurry even after doing this correctly. It’s often the result of mashing the button down so hard the entire camera is actually moved downward. If this is a recurring problem, suggest they squeeze upward with their right thumb at the same time and/or lock their elbows in front of them against their body for added stability.

Before printing, review their images with them, preferably on a computer rather than the camera LCD screen for easier viewing. Encourage self-critique by asking what they do and don’t like about an image. If the subject matter is not obvious, ask what it is. Several suggestions can be offered to draw attention to it.

The topic may be more noticeable if it were larger. This can be done by physically moving closer, or using the zoom feature.

The background or foreground can be distracting by being too busy. Sometimes simply repositioning either the subject or the photographer eliminates the clutter. Moving the photographer could be as simple as squatting down or standing on a chair.

If the horizon or other straight line is obvious, it can be a good guide for holding the camera straight. Sometimes, off-kilter shots makes for a more interesting image.

Interest can also be added when the subject is not squarely in the middle of the frame.

When their subject matter is an object or a place, including a person can sometimes bring additional interest and perspective of scale.

Again, the most important lesson is there are no rules, other than camera care. Allow them to enjoy their time with the camera and you’ll both appreciate the results.

From www.coloradoan.com

audience, Basics, Exposed, matter

Sri Lankans ‘crestfallen’ after WC defeat

Apr 3rd

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 A Sri Lankan cricket fan reacts after his team lost the World Cup Cricket finals - AP

It was so much near yet so far, this was how the Sri Lankan media described the country’s defeat in the cricket World Cup final at the hands of India.

“Crestfallen and sorely disappointed, most Sri Lankans would wake up today trying to reconcile with the fact that the national team emerged second best,” the independent ‘Sunday Times’ newspaper said in its editorial, commenting on the team’s six-wicket loss to the Dhoni brigade last night.

While opining that Sri Lanka had an easier passage to the finals than India, it said “India are the deserved winners, to them go the fruits of victory and all the accolades with it”.

There was no disgrace in the defeat. “They lost last night to the top ranked cricketing nation before a hugely partisan and frenzied crowd, and away from home, and there is no dishonour in losing, the paper said.

However, it called for a probe of the defeat. “The time is now opportune to venture into an assessment of sports administration in Sri Lanka,” the paper said.

It argued that “cricket has been run by successive interim committees, most reeking with corruption, nepotism and political interference and mismanagement”.

Another newspaper ‘Sunday Observer’ said it was so much near yet so far for Sri Lanka which emerged runner-up the second time in a row.

Though it described Sri Lanka’s 274 for 6 in 50 overs as a challenging total and hailed Vice Captain Mahela Jayawardene for his blistering century, the paper said Gautam Gambhir’s brave 97 runs resurrected the Indian innings following which it was too late for Sri Lanka to bounce back.

“Nevertheless, it was a great performance by Sri Lanka to enter two successive Finals in 2007 and 2011 and to finish runners up at the World Cup,” the paper said.

Ahead of the crucial match at the Wankhede Stadium in Mumbai, excitement over the prospect of a World Cup win had reached fever pitch in all parts of Sri Lanka.

“Although the match was being played in far away Mumbai, one could be forgiven for thinking that the biggest battle in world cricket was taking place in Sri Lanka – such was the enthusiasm of the local cricket fans,” the report said, noting that this was the first time that two Asian cricketing nations featured in the final of the tournament’s 36-year history.

Thousands of fans here had flocked to the Galle Face Green to catch the match on a giant screen and there was a carnival-like atmosphere throughout the Sri Lankan innings.

Screaming fans waved the Lion Flag and applauded every run and wicket taken by the Sri Lankan team. Most of them had the flag painted on their faces. Similar scenes were witnessed at other venues in the city, where large LED screens had been erected.

City hotels reported full bookings at open air facilities which showed the game on giant screens. Several companies had set up large screens in key provincial cities as well.

Crowds also thronged electronic shops which had a large number of LCD TVs tuned to the match to catch a glimpse of the action.

A large number of buses, three wheelers and cars throughout the country sported the Lion Flag.

Viewers in the country’s north, now free of LTTE, were also able to catch the action for the first time as national broadcaster Rupavahini had activated the Kokavil transmission tower, the report said.

However, the match ended on a disappointing note for Sri Lankans, who were hoping that this time the team would bring the coveted cup home.

From www.deccanchronicle.com

After, crestfallen, defeat, Lankans

Gurgaon lived it up as history was recreated in mumbai

Apr 3rd

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GURGAON: On Saturday, Gurgaon echoed with the shouts of ‘India… India’. That cricket is a religion in this country was proven once again by the phenomenal number of people — cutting across barriers of age, religion and gender — who gathered in hordes to pray and cheer for Dhoni and his boys as India took on Sri Lanka in the World Cup final.

Malls in the city remained choc-a-bloc with fans, who blew trumpets, shouted slogans and danced as the men in blue grabbed wickets and hit boundaries. “There’s no way we could miss this match. We’re sure 1983 would be repeated in Mumbai as a billion prayers are with Team India. We have put up a commendable show in the series,” said a group of youngsters watching the match live on a giant screen projector in MGF Metropolitan mall.

Eateries in Gurgaon made the most of D-Day by introducing cricket special meals and unlimited drinks till the last over of the match.

Bauji Da Dhaba came up with an offer of unlimited alcohol for Indian fans, while Drift, the restobar at Epicentre, had on its menu an unlimited supply of snacks, drinks and a buffet dinner for fans. A host of a tractive offers in bars, banquets and hotels meant a spurt in business.

“The response was awesome in the India-Pakistan match and people had started making bookings since then. There has been an increase in liquor sales by almost 15 per cent. We offered a 20 per cent discount on certain packages,” said Vikas Kapoor, general manager, Radisson Suites.

“We increased the rates of imported liquor and that helped us pull in a good revenue,” said Simarjeet Singh, general manager, Park Plaza.

At Kingdom of Dreams, a stadium-like atmosphere was created with two giant screen LCD television sets and bhangra artistes, who danced and cheered every wicket taken and every boundary hit by the Indian players. The entertainment hub, which had on offer unlimited snacks and drinks from every state in India at the Culture Gully, witnessed more than 700 Gurgaonites unite in support of the team.

And if one thought this was the closest that Gurgaon could get to Wankhede, there was more.
Even the sandstorm in the evening could not deter Gurgaonites from taking to the streets armed with the tricolour.
“This day has come after a long time. Come hell or high water, we will not let it go to waste. We are celebrating the very fact that India is playing the final match and is on the verge of victory,” said Arun, a marketing professional.

From timesofindia.indiatimes.com

Gurgaon, history, lived, Mumbai, recreated

Kolkata celebrates World Cup win

Apr 2nd

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KOLKATA : It was the most bizarre of starts to the World Cup final. And the most fairy-tale of finishes. In Kolkata, the cup of joy flowed over like never before. Traffic jams at midnight, entire families rushing out of homes to celebrate in their pyjamas, parents and children piling on the famiy two-wheeler to go honking down streets packed with delirious fans, shops opened their shutters to hand out free drinks…

Kolkata has never partied this way before. Lucky it’s a Sunday the next morning.

But the way the match started, not everyone in the city expected an India win. “Erom korle khelbona kintu (This is unfair),” cried out Paltu Das, in the freshly whitewashed para club room, located in an alley off Bhupen Bose Avenue in north Kolkata.

“How can the coin be tossed twice?” growled Bhola Sur. “This is a bad omen,” muttered Ghona da before heading home. Ghona da, aka Ganesh Ghoshal, had planned to watch the match with others on the 32-inch LCD screen that the club had hired for the big occasion but opted for the 14-inch TV at home to ensure Team India did not run out of luck. By 10.30pm, he was back before the LCD, cheering Dhoni’s men to victory.

“Why does Nehra get injured so frequently? And why Sreesanth and not Ashwin in this crucial match?” asked Rajesh Khaitan, watching Dhoni and his men on the giant screen at City Centre mall in Salt Lake. The roar of spectators at Wankhede echoed through the decibel-busting sound system but the din of fans crowding the kund and every vantage point drowned it. “India! India!” cheered girls and boys in unison, disparate groups bonded together by the love, orchestrating a war cry without rehearsal. As Zaheer bowled the first ball, “Come on India!” cried the crowd.

At South City mall in south Kolkata, the boisterous crowd packed around the atrium let out a collective anguish when Dhoni lobbed the ball to Sreesanth. “This maverick bowler will keep the Lankans interested in the game,” said college student Roshan, who plays a fair bit of cricket in the college circuit.

Over the next few overs, Sreesanth did nothing to disprove his detractors. He sprayed the ball all over the pitch and got dispatched to the boundary with unfailing regularity, drawing loud gasps and angry outbursts. The next moment, the crowd was cheering Zaheer as he ran in to bowl the third over.

“Out!!!” screamed the crowd that nearly brought the atrium down as Upul Tharanga edged the ball and Sehwag snapped up a sharp catch. Shalini Jain jumped in joy and then hugged her friend’ Sohan Agarwal. Others whistled and went delirious as India scalped the first Sri Lankan victim.

Small-time artist Swapan Das was, perhaps, the only one oblivious to the match on the large screen. He was busy painting the tri-colour on the faces and arms of fans, accepting `15-20 in return. By early evening, he had pocketed a cool `1,500.

At a club adjoining Sales Tax building in Beliaghata, palms had turned red from furious clapping as Yuvraj leapt in the air and halted a boundary-bound pull shot. Raina made a couple of spectacular stops. “Team India is fielding like Cricket Australia. I’ve never seen the Men in Blue being so agile on the field,” said Manik Shaw.

As Zaheer, Harbhajan and Yuvraj picked up successive wickets, removing the dangerous Dilshan, Sangakkara Samaraweera and Chamara at regular intervals to keep the Lankans score in check, the partisan crowd cheered wildly. “Even (umpire) Simon Taufel made a mistake,” roared octogenarian Prajapati Kumar, swinging in a rocking chair perched in the first floor drawing room of their Gariahat residence.

Watching the match with his son, daughter-in-law and grandchildren on an LCD television that had arrived a day before the semi-final clash against Pakistan, the man who had keenly followed cricket all life was sure Yuvy had trapped Chamara right in front of the stumps when Taufel turned down the appeal. The ensuing review proved Prajapati right and Taufel wrong.

The mood was upbeat till the 40th over. Then, the “Oohs!” and “Aahs!” began as the Lankans led by Mahela Jayawardene clawed back. “We are giving away too many runs,” cried a distraught Sajeeva, chewing the nails as Kulusekara got into the act and began dispatching the leather to the boundary. Jayawardene’s century had gone unnoticed. When the Lankan innings finally ended at 274, there was palpable relief.

“It could have been worse. They have put up a good score but it should be cakewalk for India’s strong batting lineup,” said an usher at London-Paris, the plex at Mukti World screening the match live. He, or indeed any other diehard Indian fan, refused to acknowledge that Lanka’s bowling attack was formidable as well.

In Santoshpur, Joydeep Sarkar stayed put in his seat, refusing to budge should the momentum of the match change. “I am superstitious and always sit here on crucial matchdays,” he said. Someone should have told him that a momentum shift was precisely what India needed.

“Oh noooooo!” Khokon, Potla, Naren and just about everyone packed into the 10ft’10ft club room in Baghbazar’s Raj Ballabh Para cried out in anguish as “Slinga” Mallinga rapped Veeru on the pads and Pakistani umpire Alin Dar raised the dreaded index finger.

At nightclub Venom, the silence was deafening. The commentary that had been drowned by the loud cheering, was now very audible. Srikant Desai, who had been straining to catch what Sourav, Shastri and Gavaskar had to say till then, suddenly didn’t feel like listening to the analysis.

“If ever there was a chucker, it is Mallinga,” fumed Samaresh Lahiri at a club in Baguiati, bristling over the Lankan bowler’s unorthodox action that had claimed the nawab of Najafgarh. “Of course, we have Tendulkar!” he said, as others broke into ruptures when Tendulkar sweetly timed a cover drive.

In a taxi parked next to the kerb at Ultadanga, driver Md Karim had refused a passenger to tune into the cricket commentary on FM. Relaxing in his seat, he listened to the commentators who waxed eloquently on the little master’s prowess with the willow when the unthinkable happened. Sachin nicked a Mallinga delivery to Sangakkara and the commentator screamed: “Out!”

The smile that had been creeping around the corner of Karim’s lips disappeared. He frowned, switched off the radio, fidgeted with the Tricolour balloon that he had tied to the antenna and lit a biri. “Ab to bachhon ko khelna padega (It is time for the young guns to show their capability),” he mumbled.

A bunch of cabbies in south Kolkata weren’t too bothered which way the match swung. They were out to enjoy and cheered every boundary and wicket, irrespective of the shade of blue. “After the semi-final experience when we didn’t manage any passengers till after the match was over, we decided to take the day off on Saturday. Tonight, we will have a feast,” said Sushil Sharma, smacking his lips in anticipation.

In Bhowanipore, Subir Das was getting increasingly edgy. He had taken the lead in the making of a Ravana packed with crackers to do an Akal Ravana Badh. “I hope Gambhir and Kohli consolidate the innings and we get to set the Ravana on fire. In the event of a Lankan victory, we will have to immerse the structure,” he mused.

At Udayer Pathe in Beadon Street, the mood had swung. The overwhelming confidence in the team was faltering. Though Gambhir and Kohli had stitched the innings together for a while, Dilshan broke the partnership, plunging club members into despair. “Khub mushkil hoye gelo, bujhlen (It is an uphill task now),” one said to another as the other gave a grave nod.

In Hatibagan, the mood didn’t dip. The shopkeepers and their staff cheered lustily as Gambhir and Dhoni rotated the strike and hit the odd fours. Whistling lustily when Dhoni hit a cut a rising delivery for a four, they waved the Indian flag with gusto. “India will win. Don’t you worry,” gushed Binoy Chowdhury. At Inox Forum, it was an edge-of-the-seat experience for the audience as they sat upright and watched India inch towards the target with bated breath. Many could have done with the treatment that Dhoni received from Team India physio after spraining his back. When India crossed the 200 mark a couple of balls later, everyone stood up and gave a thunderous applause. Minutes later, they had their hearts in their mouth when playing a Mallinga delivery, the toe end of Gambhir’s bat flew off.

“Oh! I thought it was a bail flying off,” said Sanjay Jaiswal, brushing off the popcorn that had spilt when he leapt up thinking Gambhir had been bowled. Back in the seat, he remarked: “Dhoni is playing a captain’s knock and Gambhir has been superb.”

When Gambhir lost his wicket on the cusp of what would have been a brilliant century, there was sadness all around. After all, the Kolkata Knight Rider captain could have gone into the record books with a 100 at the biggest stage. But the fall of the wicket did not dampen spirits as Yuvraj joined the run chase. An upper cut 6 by Dhoni even enthused arthritic Romen Bose to stand up and applaud. The Surya Sen Street resident had opened his doors to para boys and their enthusiasm was infectious.

Just when the boys from a club in central Kolkata’s Bankarai street were preparing to celebrate, two close calls a run out appeal and a review for LBW put them on a leash. “Joga, just go back to where you were seated. We don’t want things to go awry now,” club secretary Kali Bose told Jagganath Sil.

Three overs to go and still Kolkata stayed glued to TV sets. One could feel youths itching to burst into celebration but held back by an invisible hand. Two fours in the next Mallinga over and the dam burst. Paltu, Bhola, Ghona Da, Rajesh, Joga, Kali… everyone rushed out, abir in pockets, firecrackers in packets. India won in the next over. But by then, paras were already partying. Kolkata’s jamai raja had lifted the cup that mattered!

From timesofindia.indiatimes.com

celebrates, Kolkata, World

Time To Get Away: LCD Soundsystem Bid Farewell Tonight

Apr 2nd

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4211lcd.jpg After a decade of Daft Punk references, white suits and Muppet videos, James Murphy announced the dissolution of LCD Soundsystem a little over a month ago. And now, with ticket scalping drama and four celebratory, three-hour-long shows at Terminal 5 past, their alleged final show ever as a band will take place tonight at MSG. But even if you didn’t get tickets, you can watch an exclusive stream of the whole show at Pitchfork starting at 9 p.m. In the meantime, you can check out the collective mourning process going on across the internet.

Pitchfork has an excellent, definitive look back at the complete LCD Soundsystem oeuvre, which comes to a tidy 46 studio tracks, spread over three official albums, one instrumental album, and various singles. It’s especially appropriate considering that LCD Soundsystem were arguably the Pitchfork band of the decade; after all, they ranked Sound of Silver #17 in the 2000s albums of the decade list, and named This Is Happening the second best album of 2010.

Esquire has an oral history of the band, told through interviews with six of his bandmates, peers and friends. The Times ventures further back, tracing Murphy’s career from his time as soundman for several small time punk bands, turning down sitcom jobs on Seinfeld (really!), to the release of his fluke hit single “Losing My Edge.”

Even if you loved LCD Soundsystem’s reference-laden music and sweaty live shows, you might still be confused as to why Murphy has generated as much orgiastic adoration from music critics, a typically hard-to-please crowd, as he has. The AV Club has a sweetly genuine open letter to Murphy which does an excellent job of summing up just why Murphy has been honey to rock music lovers of any ilk:

Like a lot of music critics, I feel a special kinship with you, because we are you. Or, rather, you are a better, smarter version of us. The relationship music critics have with you is similar to what film critics have with Quentin Tarantino, who, like you, started out as a know-it-all fan who, unlike most critics, took all the trivial, microscopic specificities he absorbed from every corner of his fan experience and found a way to create something new with it. But even if you guys are big-shot artists now, you’re also still critics at heart; you did it like Godard, critiquing art by making better art. Any time you’d take pains to find just the right detail to make a track really snap—a crisp snare, a squiggly synth, a warmly bouncing bassline—you were both nodding to the records you felt did it correctly, while also making an argument against the relatively chilly, slapdash way music is made in the point-and-click ProTools era. They say writing about music is like dancing about architecture, but your records actually were architecture, built from the spare parts of closely observed sounds you deconstructed and recontextualized from countless songs in your impeccably curated collection.

But LCD Soundsystem isn’t just a band for music critics and krautrock jam aficionados. Beating at the heart of every one of their songs was NYC, from the smells and garbage of the Bowery to the post-punk sounds seeping out of shitty bars. This relationship is best summed up by the closest thing they have to a torch song, the brilliant “New York I Love You, But You’re Bringing Me Down.” At the time, Murphy wanted to write a love song for Sound Of Silver, but he hated love songs, so instead he wrote this ode to the city. He expanded upon the importance of the city to his music to the Voice:

I think it’s a really diverse, weird country filled with lots of weird people, but New York’s the place where weird people have some actual power. And that’s why I love it. It’s the place where you can piss and moan, but you’re never going to hear ‘love it or leave it’ here because being patriotic doesn’t mean being retarded. It’s just an irrelevance. I love New York. I super love New York. It is expensive and it is retarded and filled with assholes, and so’s everywhere else. I just wouldn’t live anyplace else. I don’t see the need to make New York seem like it doesn’t have things which make me want to shoot myself in the fucking face as a way of explaining that I love it. I don’t see the point. I love it. It’s my home.

From gothamist.com

farewell, LCD, Soundsystem, Tonight

Double the Touchscreen, Double the Fun(ctionality) with the Acer Iconia 6120

Apr 2nd

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I wanted one for myself the very first time I saw the photos for the Acer Iconia 6120. I think the device is all kinds of cool, simply because it is. And who doesn’t love something unique and quirky that’s still functional at the same time?

You might have already guessed it (based on the pictures of the device), but what makes the Iconia 6120 stand apart from the usual laptops and notebooks and tablets is because it has two 14″ screens, not one. What’s more, they’re not just plain old screens but they’re touchscreens. So you could more or less see it as two tablets merged into one integrated device.

One of the first questions that popped into my head (and it may have popped into yours as well), was that how on earth can this laptop-looking device function if it doesn’t have a keyboard?

Well, through it’s own virtual keyboard, that’s how! The virtual keyboard is activated by pressing the button on the left hinge of the device. You can also type out text by way of writing on the bottom screen using your finger. One thing you do have to remember is to keep your non-typing fingers and palms off or you’ll end up with a lot of typos and unwanted letters on your document or whatever it is you’re typing.

Another feature is the Acer Ring, which is a shortcut of sorts which you can access by pressing your hand onto the bottom LCD and making a grabbing gesture. The menu then appears, displaying your favorite applications and programs that you most commonly access on the Iconia 6120, including the virtual keyboard.

Obviously there is a price that you have to pay for having 2 displays: one, it’s a bit on the heavy side at 6 pounds; and two, the battery life is, well, not that great. Oh, and it currently retails at $1,199.99 so it is a very pricy device.

Here’s a list of its specifications and key features:

  • Dual Multi-Touch Screens: 14″ HD Widescreen CineCrystal™ LED-backlit LCDs
  • Tempered Gorilla® Glass: with fingerprint-resistant coating
  • Intel® Core™ i5-480M Processor 2.66GHz with Turbo Boost Technology up to 2.93GHz
  • 4GB DDR3 Dual-Channel Memory
  • 640GB 5400RPM SATA Hard Drive
  • Intel® HD Graphics
  • 802.11b/g/n Wi-Fi CERTIFIED™
  • 10/100/1000 Gigabit Ethernet LAN
  • Dolby® Advanced Audio® v3 Audio Enhancement
  • High Definition Audio Support
  • 2 – USB 2.0 Ports & 1 – USB 3.0 Port
  • Multi-Touch Virtual Keyboard
  • Virtual Numeric Keypad
  • Virtual Touchpad
  • 1.3 Megapixel HD Webcam (1280 x 1024 resolution)
  • 4-Cell Lithium-Ion (3000 mAh)
  • 6.18 lbs. | 2.8 kg. (system unit only)
  • Windows® 7 Home Premium

Click here to get the Acer Iconia 6120 from Amazon.

From inventorspot.com

ctionality, double, Iconia, touchscreen

Trading space for Italian style in 2012 Fiat 500

Apr 2nd

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With its 500 for 2012, Fiat is making a perfectly timed re-entry into the U.S. market after a 28-year absence.

Four-dollar-per-gallon gas was the tipping point that got drivers thinking – and buying – small almost three years ago, the last time fuel prices surged as rapidly as they’re doing today.

In the current post-economic-meltdown marketplace, however, downsizing consumers who willingly trade space for fuel efficiency are increasingly hesitant to also sacrifice style, technology and fun.

Starting at $16,000, the Fiat 500, or Cinquecento as it’s known in its native land, is a modern take on the 54-year-old original with a reshaped and slightly larger body style inspired by the low-set and rounded lines of its 1957 predecessor.

Available at Fiat “studios,” the 500 went on sale this month. Seventeen of a planned 130 sites are up and running in the U.S. The majority of these sales locations should be open by August. Even now, many of the 130 dealers have demo units.

Powered by a 1.4-liter, inline four-cylinder engine, the 500 uses Fiat’s patented MultiAir system to meet customers’ and manufacturers’ increasing desire for fuel efficiency.

Making its debut on the 500, the technology electronically adjusts the engine’s air and fuel intake, boosting the car’s mileage (to a maximum of 38 miles per gallon on the highway) and power (to a modest 101 horses and decent-for-its-size 98 pound-feet of torque).

The 500 comes in three versions – Pop, Sport and Lounge. The entry-level Pop and athletic Sport are available with either five-speed manual or six-speed automatic transmissions. The more luxurious Lounge is available only as an automatic.

The Sport version I tested has slightly larger, 16-inch wheels than the other two models and a sport-tuned suspension. Mine had a five-speed manual that not only gets better fuel economy (30 mpg city) than the automatic but also has a sport mode. All three models are equipped with this sport button, which, when pushed, makes the 500 almost as perky as a shot of espresso.

Pressing “sport” on the dash improves the steering feel at higher speeds as well as the throttle’s responsiveness, while also lifting the transmission shift points to higher rpm. Not pressing the sport button? It’s like driving a different car – one that’s as weak and unsatisfying as diner coffee.

Enhancing the fun of sport mode is the car’s power rack-and-pinion steering with electric power assist. The wheel feels light and turns almost as freely as the wheel in a NASCAR arcade game, although, because the 500 is front-wheel drive, the steering does tense up under hard acceleration.

The 500 I was testing had a banana yellow exterior and chocolate brown leather trim inside. The color combination is sort of like a Ferrari-red gondola with leather bench seats – unusual but oddly pleasing and very, very Italian.

A two-door hatchback, the Fiat 500 has a decent amount of legroom for those in the front bucket seats, but anyone with big hair, a long torso or an overall height exceeding 6 feet is likely to feel claustrophobic and boxed in by the roof.

It is, after all, a subcompact – one that supposedly seats four, although the only person I felt comfortable seating in the back was my 8-year-old. He didn’t complain about the legroom, but he thought the head rests were uncomfortable. I wouldn’t recommend the back seat for adults, because the legroom is virtually nil.

The rear cargo hold is, likewise, small. The rear seat splits in two segments and folds down to open up more space, but it doesn’t fold flat. Still, there is more than enough space to carry groceries, laundry or a pile of bodyboards and beach towels. The car’s wide rear end benefits the tailgate, which has a fairly broad opening.

From the driver’s perspective, the cockpit is attractive and intriguingly well arranged. In addition to a USB port, the usual steering-wheel controls for hands-free phone calls and, surprisingly, high-fidelity Bose audio, it features an LCD dashboard display that’s configured something like a combination lock.

Three concentric gauge-cluster rings in front of the driver offer different pieces of information. The outermost ring is an analog speedometer and the center ring an analog tachometer. The innermost circle is a digital display of the time, gas gauge, odometer and engine temperature, as well as the radio settings and turn-by-turn navigation directions.

The circular theme isn’t as dramatic or as oversized in the Fiat as it is in the BMW Mini, which will finally get some real competition with the 500. It is, however, a stylish detail that’s mirrored elsewhere in the cabin – with circular vents and controls for the radio, as well as the mechanism that lifts and lowers the windows.

The circular theme even extends to the car’s driving dynamics. Flipping a U-turn was outrageously easy because of its short wheelbase and tight turning radius.

The Fiat’s 16-inch wheels are small, like other subcompacts’, and are mostly adequate. Driving through potholes is never a pleasant experience, regardless of what type of car you’re driving. Small wheels like the Fiat’s almost get lost in them if they have the misfortune of driving through rather than steering around them.

The MacPherson front suspension and rear twist-beam axle – even with the upgraded sport-tuned coil springs and twin-tube shocks on the Sport – are challenged by rough, post-rain roadways.

Overall, the Fiat 500 is a stylish, well-priced addition to the increasingly crowded subcompact space. It isn’t perfect, but it is a great value that demonstrates that a lack of funds doesn’t have to mean dowdy design and limp performance.

—

2012 FIAT 500:

-Base price: $16,000 (including destination charge)

-Price as tested: $19,050

-Powertrain: 1.4-liter, SOHC, inline four-cylinder, 16 valves per cylinder, liquid cooled, sequential multiport electronic fuel injection, five-speed manual transmission

-Horsepower: 101 at 6,500 rpm

-Torque: 98 pound-feet at 4,000 rpm

-Curb weight: 2,363 pounds

-Wheelbase: 90.6 inches

-Overall length: 139.6 inches

-0 to 60: 9.7 seconds (according to Motor Trend magazine)

-EPA fuel economy: 30 mpg city/38 mpg highway

-Final thought: Low-cost, stylish fun

—

(c) 2011, Los Angeles Times.

Visit the Los Angeles Times on the Internet at http://www.latimes.com/.

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From www.aikenstandard.com

Italian, space, Style, Trading

Sony Phils. sustains recovery momentum

Apr 2nd

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MANILA, Philippines – While the Japan disaster is expected to affect some of its supplies locally, there is no stopping Sony Philippines’ full recovery momentum as the company expects to sustain growth above the industry’s 30 percent growth rate.

Takao Kuroda, president and managing director of Sony Philippines Inc., said the company expects to at least maintain its growth, which is above the industry’s 30 percent growth last year, largely driven by the replacement market for CRT into the LCD TV model.

Kuroda said the company performed better than the 30 percent industry growth but refused to divulge the exact amount.

“We expect to maintain that growth this year,” Kuroda told Business Bulletin in an interview at the launch of Sony’s latest models of its projector product line-up.

Kuroda said its bullish projection for the year is driven by the growing Philippine economy fueled by strong domestic consumption for appliance especially for the LCD TV market.

“Although there are concerns about rising costs of fuel, but the growth of the Philippine economy is quite stable,” he said.

According to Kuroda, its Philippine business was affected when the company has decided to stop producing the CRT TV in 2007 because the local market is a CRT market. This had affected sales in 2008 to 2009.

“But 2010 is a turning point as the growth in LCD TV has exceeded growth of CRT TV,” he said.

The penetration of the LCD TV, however, is still very low but the growth is very strong. Prices of LCD TV has also gone down substantially largely driven by market competition. Sony’s 32 inch Bravia is now being sold for P25,000 from P30,000.

On the impact of the Japan disaster on its local supply, Kurodo admitted it will impact on its local supplies in the next few months but they are still assessing the extent of the problem and look for alternative sources of parts. He, however, said that Sony has a huge global network that could help mitigate supply problem.

From www.mb.com.ph

Momentum, Phils, recovery, sustains

Sceptre E420BV-F120 42-Inch LCD TV

Apr 2nd

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Sceptre E420BV-F120 42-inch LED LCD HDTV

The Sceptre E420BV-F120 has a list price of $1299, but can be found around the Internet for about half that price, and it’s not really a surprise as to why. This 42-inch 1080p LED HDTV is slim and simple, but it seriously falls short in the picture department. You can find some pluses—for example, this Sceptre generously offers five HDMI ports—but ultimately its picture quality leaves too much to be desired, from leaking light around the screen edges to extreme noisiness and graininess in the initial out-of-the-box setup.

The E420BV-F120 is a moderately thin, light HDTV with an attractive design. Surrounding the 42-inch screen is a thin, shiny black bezel; the Sceptre logo, in mirrored silver script, is located at the bottom center of the bezel. The speakers are positioned below the bezel, but are so subtly integrated into the design (in the form of a thin, black strip) that you’ll barely notice them. The TV perches on an oval, tempered-glass stand with a wide swivel range, 45 degrees to either side. The stand is clear around the edges and black on the inside.

Moderately thin and light, the TV has a net weight of 38.6 pounds (46.3 pounds with the stand). Without the stand, the E420BV-F120 measures just 1.85 inches thick; the stand adds an extra 9.76 inches in depth (for a total of 11.61 inches deep).

The ports all run parallel to the HDTV, so the set is perfect for wall mounting; you’ll find no ports that would cause your wires to stick out from the back of the screen. On the left side of the TV, behind the screen, are three HDMI ports, a headphone jack, an S/PDIF-out, a USB 2.0 port, left and right audio outputs, an S-Video-out, and component inputs. On the bottom of the same panel, still parallel to the screen, are two additional HDMI ports, an audio-in, a VGA-out, composite video inputs, and a cable/antenna input. The right side of the E420BV-F120 has physical controls, including buttons for Power, Menu, Enter, Volume, and Channels.

The E420BV-F120′s remote is large and lightweight, with rubbery backlit buttons and a grooved back. The number buttons are gray, while the controls (including the arrow keys and channel/volume keys) are white. Special buttons, such as those for Picture, Sound, Aspect, Guide, and Menu, are blue. Two rows of special buttons sit above the number keys, including buttons for adding and deleting favorite channels. Also included in the box with the E420BV-F120 are an HDMI cable, a screwdriver, a 55-page manual, and a fold-out quick-start guide.

Each time you turn the E420BV-F120 on, a huge, red Sceptre logo greets you. The logo is a bit too large and slightly pixelated around the edges—not exactly a great sign for your new HDTV. The on-screen menus are organized into six icons that appear in a row in the center of the screen: Picture, Sound, Channels, Parental, Setup, and Others.

The Picture menu features three preset modes (standard, vivid, and mild) and a custom mode for advanced tweaking. Options include brightness, color, contrast, sharpness, and color temperature controls. Out of the box, the tint control is locked and works only if you’re using an analog signal, not a digital signal. Sceptre recently released a firmware update that corrects this problem, so you’ll have to download and manually update the firmware in order to use the tint control for a digital signal (you’ll need to do an ‘All Reset’ on the TV to initialize the firmware upgrade).

On the Picture menu you’ll also see advanced picture settings, including dynamic contrast, film mode (this could be considered another preset), and noise reduction. The Sound menu is fairly simple, and offers basic bass/treble/balance controls, as well as a simulated surround-sound mode and an equalizer.

The Parental option is a lock mode that allows you to set a PIN code to prevent TV settings from being changed. The Setup menu lets you choose the menu languages and set the clock, while the Others menu permits you to set the background color (the color that will show on the blank screen if no input signal is available) to blue or black, as well as to reset the TV’s settings to factory default.

In our juried testing, the Sceptre E420BV-F120 performed slightly below average. The set itself appears to be poorly made; a lot of light leaks around the screen, and a solid, quarter-inch bar of leakage is visible at the top of the screen.

The E420BV-F120 was just average on our basic 720p and 1080i clips, and received a score of around 3 out of 5 for all four of these clips. The TV did pretty well on our horizontal-motion panning test, with a score of 4 out of 5. Unfortunately, the set performed badly on our diagonal-motion panning test, receiving a score of 2 out of 5.

The Sceptre handled upconversion poorly, too, managing only a score of 2 out of 5 on our DVD Phantom of the Opera clips. The picture looked extremely oversaturated and bright, and skin tones seemed very off. The TV performed better in our Blu-ray Disc tests (though not much better), with an average score of about 3 out of 5 on both our Mission Impossible III clip and our Dark Knight clips. One of our jurors pointed out that contrast was an issue, especially in the Dark Knight clip that displayed lots of black tones.

One last important thing to note: If you don’t take the time to calibrate this TV, the picture doesn’t look very good. I spent a couple of hours with the E420BV-F120 after doing an ‘All Reset’, and the picture is grainy, noisy, and quite frankly unbearable to watch. Luckily you can fix some of this with calibration, but you still won’t be able to stop the leaking light or the weak off-axis viewing (moving even slightly to the side turns the picture dark and contrastless).

Two 10-watt speakers are located on the bottom of the E420BV-F120. The speakers are decently loud and full, and several audio presets are available to get you started, including standard, soft, and dynamic. The soft mode is best for ambient noise but not talking, while the dynamic mode is best for talking but not ambient noise. The set has a simulated surround-sound mode, but we found little difference between that and the standard audio mode. Fortunately, the standard audio has a decent amount of depth, so it’s no huge loss.

The Sceptre E420BV-F120 HDTV set has several problems: The light leakage is extremely noticeable, the picture quality is mediocre at best, and the set has no Internet-connected TV options to speak of. While the lack of Internet options and the mediocre picture quality are expected in a cheap set (there’s really no excuse for the light leakage), the fact remains that you can do better for less money.

From www.macworld.com

E420BV, LCD, Sceptre

Air-conditioned clothing lowers body temperature

Apr 2nd

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Scientists have invented a personal air-conditioning unit that they say could be incorporated into clothing.

The unit will enable people exposed to high temperatures in their working environment to lower their body temperature, helping them to concentrate on the task in hand.

Firefighters and Formula One drivers were suggested as the type of people who could benefit from the device.

The unit is 10 centimetres long, five centimetres wide and weighs 100 grams.

The unit has been developed by Embraco, a Brazilian company which is the world leader in the production of compressors for domestic refrigerators and is expected to be available for purchase later this year.

It can be sewn into the fabric of clothing, such as the uniforms of firefighters or soldiers, without causing discomfort.

As temperatures rise, hot air is sucked into the thin steel case to be cooled by a microcompressor and then propelled out through a network of thin tubes in the clothing.

Joao Carlos Brega, the president of Embraco, said the firm has already discussed the invention with Formula One teams, armies and firefighting services.

Embraco also hopes the product will be used in paramedics’ blankets to help reduce bleeding, to refrigerate organs being transported for use in transplants and in LCD screens that sometimes overheat.

© Copyright (c) The Calgary Herald

From www.calgaryherald.com

clothing, conditioned, lowers, temperature
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